Wilco is in the studio (above) finishing up a new album that has a June release date. I can’t wait.
Tag: music
Rock, rock, rock ‘n’ roll radio (and more)
I’ve long lamented the demise of commercial rock radio, that long-lost tradition I’d call free-form, a radio station on which one might hear the Von Bondies and Bruce Springsteen, The Beatles and Curtis Mayfield and the latest from underground scenes around the world.
I’m not talking about just any Beatles track or Springsteen singing “Hungry Heart” — you can get that from a class rock station — but so-called deep album tracks and outtakes and the kind of eclectic soup that matches my CD, download and vinyl collections (filed under C, you can find not only the expected artists like The Clash, Elvis Costello, Johnny Cash, Ornette Coleman and John Coltrane, but also bands like the Come On, Hayes Carll, The Cult, the Cruzados, Sheryl Crow and others).
Most commercial radio disdains this kind of variety. The idea is to tightly manage the playlist so that you can control who is listening and the ad folks can target their advertising. That’s why we have Classic Rock, and Top 40, and R&B and Light Music and Soft Rock and Adult Contemporary and never the twain shall meet, as they say. At least in the local (New York and New Jersey) markets.
Philadelphia is only nominally better, though it has the more eclectic WXPN. And there are the college stations.
The solution, some friends have been telling me, is to invest in satellite radio, to take what had been free and buy into the subscription model. It was a model that seemed wrong to me, one that gave in to the money-driven approach to music.
Of course, free radio was never really free. We paid for it by giving up about a third of our listening time to commercials, to ads for everything from McDonalds and Burger King to obnoxious sales pitches from ex-football players who now own car dealerships.
This brings me to my point: I’ve been wrong about satellite radio all this time. We bought a new Toyota Rav4, which is satellite-ready and came with a month free of XM. I didn’t use it much of the first week — I was having a good time listening to my iPod and playing with the Bluetooth — but I decided to program the presets for the satellite stations and, well, I am hooked.
I have 18 stations set, 13 music stations and five talk. The music stations include the Springsteen station and Little Steven’s great Underground Garage channel, a station devoted to Outlaw Country, a jazz station, one called First Wave (early punk and new wave), stations devoted to the ’80s and ’90s, and several others. The talk stations include two public radio channels, a sports station, CNN and something called AmeriLeft, which plays liberal and left-leaning talk, much of it from Air America.
It is the Little Steven channel, however, that has me hooked. Consider this recent string of songs: “Not Fade Away” by the Stones, “Circles” from Les Fleur De Lys, “Too Good To Be True” by The Yum Yums (a recent punk track), “He’s a Rebel” from The Crystals and “Cara-Lin” by The Strangeloves.
This morning, I heard The Beatles, “Every Little Thing”; Springsteen, “I Wanna Be With You”; Curtis Mayfield and the Impressions, “Fool for You”; the Stones, “Everybody Needs Somebody to Love”; The Clash, “Clampdown”; The Stray Cats, “Fishnet Stockings”; Down Beat 5, “Dum Dum Ditty”; and the Purple Hearts (an Australian band from the ’60s), “Just a Little Bit.”
Part of my wonder at this, I know, is its freshness, its newness. I am sure to grow tired of the Underground Garage. But I have myriad other choices, enough to keep me interested for a long time.
The question is whether I want to pay the money ($12.95 a month) to keep the XM streaming in.
Making radio waves
Here is a follow-up to yesterday’s news that G-Rock radio, 106.3 FM, is changing from modern rock to pop:
Less than a week after the Jersey Shore station WHTG (G-Rock) 106.3-FM switched from an alternative rock format to contemporary hits, a group calling itself “Bring Back G-Rock,” with a Facebook page, is planning a protest at noon Saturday, outside the station’s studio at 2355 West Bangs Ave. in Neptune.
“Over 400 people have RSVP’ed and will be there,” said group organizer Elyse Jankowski of Middletown. “It will be done in an organized manner, completely peaceful – we don’t want to make anyone nervous or the police and authorities alarmed – however we want to make it known how upset we are.”There are more than 3,500 in the group, Jankowski said.
Um. OK.
I agree with the group’s goal, as I think yesterday’s blog post makes clear. But I have to wonder whether the 400 people planning to march on the station could be using their energy in more important ways. For instance, the state is conducting a homeless persons census and needs volunteers to do the count and distribute food. There is a need for volunteers for stream cleanups, food bank sorters and soup kitchen servers. They could be protesting two wars, helping to organize communities and workers, helping out at their cash-strapped local library.
There are a lot of issues that need addressing. I’m just not sure that fighting to keep a commercial radio station from changing its format should rank very high on the list.
Another reason to turn off the radio
For lovers of slightly edgy rock ‘n’ roll, the news that alternative station 106.3, G-Rock, in Eatontown is changing its format hits a sour note.
In an effort to appeal to a mainstream audience, Press Communications LLC has switched the format of a local alternative rock radio station to current hits radio.
“What our research showed us was that we needed to have a more mass appeal format that reached all ages between 18 to 44,” said Alice MacCormack, general sales manager for station owner Press Communications LLC. The radio station is broadcast as WHTG-FM 106.3 in Eatontown and WBBO-FM 106.5 in Bass River Township.
Once called G Rock Radio, the station is now known as Hit 106. The change was made at noon Monday, MacCormack said.
The new format, according to The Asbury Park Press, “includes music from recording artists such as Rhianna, Pink, Beyonce, Taylor Swift and David Cook.”
This from a station — formerly dubbed “Jersey’s Rock Alternative” — that
was known for breaking in top alternative bands, such as The Ting Tings and The Duke Spirit.
Of course, the blogger says sarcastically, you just can’t have too many stations playing songs by the winners of American Idol.
Sounds of the year, A to Z
It is that time again, the moment that every music fan in America is waiting for: Hank Kalet’s gold-plated, never outdated, sharpened and serrated musical year in review. (Bombast is a wonderful thing!)
As I did last year, I offer my take on this year’s music, alphabetically:
A — Anthems: as in albums from the Low Anthem and Gaslight Anthem, both of which deserve to be in heavy rotation.
B — Badu: as in Erykah Badu, who released a fine disc (New Amerykah, Pt. 1: 4th World War) and what may have been the year’s best single, “Honey.”
C— Combacks: as in the return to form of three longtime favorites, R.E.M., The Pretenders and The B-52s.
D — Debuts: as in Santogold, Duffy, The Airborne Toxic Event, Fleet Foxes and Vampire Weekend.
E — Elvis: as in Elvis Costello & the Imposters and their top-notch album Momofuku.
F — Fleet Foxes: as in a self-titled debut that reaches back to another era.
G — Gravity: as in Blame It On Gravity, the somewhat overlooked release from the Old 97s.
H – Hope: as in the surprisingly hopeful sound (compared to the biting lyrics of Magic) of the preview cuts released by Bruce Springsteen from his forthcoming album, Working on a Dream, due in no small part to Barack Obama’s arrival on the scene.
I — Israel: as in the native country of Yael Naim, the surprise of the year with her iPod commercial hit “New Soul.”
J — Jim James: as in the frontman for My Morning Jacket, which issued Evil Urges, a great follow-up to Z.
K — Knowles: as in Solange Knowles, the younger sister of Beyonce. Her single, “I Decided,” was far better than anything her more famous sibling issued this year.
L — Lucinda: as in Lucinda Williams and her latest, Little Honey.
M — Mike Skinner: as in the man behind The Streets and the great tune, “Everything is Borrowed.”
N — Narrow Stairs: as in Death Cab for Cutie’s disc, my choice for album of the year.
O — Old school: as in The Hold Steady and Gaslight Anthem, two bands that wear their influences on their sleeves and wear them well.
P — Politics: as in the raft of songs, from Pink’s “Dear Mr. President” to John Mellencamp’s “Jena,” that commented directly on the mess in which we find ourselves.
Q — Q-Tip: as in the veteran rapper, whose The Renaissance I am just getting into.
R — Roots: Rising Down by The Roots was the lone hip-hop disc to get regular rotation on my iPod this year.
S — Side projects and solo efforts: as in stellar albums by The Gutter Twins (Screaming Trees and Afghan Whigs), The Last Shadow Puppets (The Arctic Monkeys), Foxboro Hot Tubs (Green Day), the Raconteurs (The White Stripes) and Jenny Lewis (lead singer of Rilo Kiley).
T — TV on the Radio: as in the band that released the No. 2 disc on my best of 2008, Dear Science.
U — “Up All Night”: as in the great song from Widespread Panic.
V — Vampire Weekend.
W — World: as in great music from across the globe, including 2007 discs by Manu Chao and M.I.A. that garnered airplay this year and new tunes by Yael Naim and some interesting jazz from West Africa and South America.
X — Cal-EX-ico: as in Calexico, a band with a Tex-Mex name and an eclectic sound that borrows from an array of Southwestern music for its fine Carried to Dust.
Y — Young: as in Neil, as in his latest archive release, Sugar Mountain: Live at Canterbury House 1968.
Z — Zzzz: as in the universal cartoon symbol for sleep, as in what happens when I listen to too much mainstream radio.
Some odds and ends:
Top Ten albums:
1. Death Cab for Cutie, Narrow Stairs; 2. TV on the Radio, Dear Science; 3. REM, Accelerate; 4. Santogold, Santogold; 5. Elvis Costello, Momofuku; 6. The Pretenders, Break Up the Concrete; 7. Airborne Toxic Event, Airborne Toxic Event; 8. Gaslight Anthem, The ’59 Sound; 9. The Roots, Rising Down; 10. Lucinda Williams, Little Honey.
Top 15 singles:
1. Erykah Badu, “Honey”; 2. Madonna, “4 Minutes”; 3. Rafael Saadiq, “100-Yard Dash”; 4. Alejandro Escovedo, “Always a Friend”; 5. The Pretenders, “Boots of Chinese Leather”; 6. Widespread Panic, “Up All Night”; 7. Duffy, “Mercy”; 8. R.E.M., “Supernatural Superserious”; 9. Ryan Adams & the Cardinals, “Fix It”; 10. Weezer, “Pork and Beans”; 11. Jenny Lewis and Elvis Costello, “Carpetbaggers”; 12. Yael Naim, “New Soul”; 13. Pink, “So What”; 14. Solange Knowles, “I Decided”; 15. Kathleen Edwards, “I Make the Dough”; 15. The Streets, “Everything is Borrowed.”
