Wilco drops in a month

Wilco’s newest — and seventh — album, a self-titled disc, hits the stores June 30 and it promises to be a different experience than its previous six. This review in the Chicago Sun-Times, which says the disc offers a summation of a career, is a good one. (A stream of the disc will be available on a sporadic basis until the disc comes out on Wilcoworld.net.)

Track listing:

1. Wilco (the song); 2. Deeper Down; 3. One Wing; 4. Bull Black Nova; 5. You And I; 6. You Never Know; 7. Country Disappeared; 8. Solitaire; 9. I’ll Fight; 10. Sonny Feeling; 11. Everlasting Everything

The Saturday Shuffle

Welcome to the first of what I hope will be a recurring feature, The Saturday Shuffle, whereby I turn my iPod onto shuffle and list the first 10 songs that play:

  1. Son Volt, “Automic Society”
  2. Eric Clapton, “I Found Love”
  3. The Band, “Ferdinance the Imposter (Outtake/Demo)”
  4. Pixies, “Vamos”
  5. Lou Reed, “Heroin (live)”
  6. Elvis Costello with Burt Bacharach, “In the Darkest Place”
  7. Bruce Springsteen, “Froggie Went A-Courtin'”
  8. Luiciana Souza/Romero Lubambo, “Muita Bobeira”
  9. The Ramones, “Have a Nice Day”
  10. Bob Dylan, “Mississippi”

I think the Souza track came with my laptop as a demo song, because I don’t remember ever buying it.

The Friday Five: Songs of Springsteen

I am starting today what I hope will be a regular feature of this blog. The Friday Five will be a listing of five related items, possibly five news items or something else that may be on my mind. This week I offer my five favorite covers of Bruce Springsteen songs:

  1. Dave Edmunds, “From Small Things (Big Things One Day Come)”
  2. Johnny Cash, “Highway Patrolman”
  3. Robert Gordon, “Fire”
  4. Rage Against the Machine, “The Ghost of Tom Joad”
  5. Steve Earle, “State Trooper”

(I’d recommend Badlands: A Tribute to Bruce Springsteen’s Nebraska, as well, which is a great collection of artists doing songs from the album.)

Check back Saturday for the Saturday shuffle.

Saturday wasn’t dead: Blogging Graham Parker


Trademark shades, white shirt and gray jeans, acoustic guitar and that gravel-filled growl he calls a voice, bluesy….It’s Graham Parker.

Thirty three years after his first album — the classic Howlin’ Wind — made its appearance, Parker is still going strong, if flying well below the radar.


Evidence of this was his solo performance last night in Titusville, at Concerts at the Crossing at the Unitarian Universalist Church at Washington Crossing. The 250-or-so-seat venue was just short of capacity, something I wasn’t expecting but should have (the number of people who asked “who?” when I told them I had interviewed him and was going to the show was far larger than the ones who remembered him).

But Parker played to the crowd with a delicious sense of humor — ascerbic, at times, but completely without malice. He moved between an acoustic guitar and an electric one, strumming mostly, but rocking through his set with elan, 20 songs ranging from his Howlin’ Wind (“Not If It Pleases Me”) to a number of songs from his funny self-release, Carp Fishing on Valium (songs written to accompany a book of short stories of the same name).

Highlights, of course, were the five cuts from Squeezing Out Sparks — it is 30 years since that amazing record hit the stores, a fact he acknowledged by dubbing the tour “From the Sublime to the Ridiculous” (Sparks to Carp).

And there were the jokes — self-deprecating — and stories (he introduced “Custom Fanny,” a brilliant send-up of the Rolling Stones, with a story about how Brian Porker — the protagonist of his stories — comes to audition to replace Mick Jagger, a story that featured a dead-on Keith Richard imitation).

So, while the great Graham Parker may not command the same audiences he did back in the late-’70s or 1981 (when I last saw him live), he remains a vital presence on stage and a songwriter deserving of more attention than he’s getting.

Graham Parker is still squeezing out sparks

Crossposted from The Central Jersey Beat:

Graham Parker will be in Titusville on Saturday. He spoke to us recently in anticipation of the show.

Parker, who turns 59 this year, is a bit of an iconoclast — sticking to his guns over a 30-plus-year career that has produced several classic albums (Howlin’ Wind, Squeezing Out Sparks, Mona Lisa’s Sister) and some that deserved significantly more notice than they received (2007’s Don’t Tell Columbus). He plays rock ‘n’ roll, writes his own songs (which are literate, ascerbic and often funny) and makes no apologies.

He will perform at Concerts at the Crossing at the Unitarian Universalist Church at Washington Crossing, 268 Washington Crossing-Pennington Road, Titusville, April 25, 8 p.m. Opening for him will be Luke Brindley. Tickets cost $25; 609-406-1424; http://concertsatthecrossing.com/; http://www.grahamparker.net/