Exposing arguments

Stanley Fish announced in a column this week that he would be leaving his perch as one of The New York Times’ regular columnists. Fish, an academic, was an odd fit at the Times, but was a necessary piece of the op-ed puzzle because his approach is not something we usually get from newspaper columnists. Fish was, as he states here, “typically less interested in taking a stand on a controversial issue than in analyzing the arguments being made by one or more of the parties to the dispute.” Doing so allowed him to cut through much of the noise and help at least some of his readers hone their own arguments and avoid the kinds of fallacies that have become the staple of public debate.

So he took on the public atheists and those calling for an academic boycott of Israel, not because he was a believer or because he wanted to defend the Israeli government, but because he saw the logic of their arguments as flawed and convoluted.

As someone who has been writing newspaper opinion pieces — and then blogging — for 20 years or so, I know there have been columns that I’ve written and opinions that I have held (especially early on) that would have benefited from the Fish approach. And I think that’s why I’ve slowly moved into the kind of criticism that Fish engages in. Part of this has to do with teaching argumentative writing to college students who think the phrase, “it’s my opinion,” justifies every stupid thing that comes into their head, but it also has to do with a larger rhetorical culture that rewards fallacy — Fox News is the home of the ad hominem attack, while MSNBC hosts (mostly Ed Schultz, but sometimes Rachel Maddow) can miss the fallacies built in to the larger rhetorical structures of their arguments because, like Fox, they are so focused on the end game.

But it is not enough, I think, to be right with your ultimate point. Rhetorical structure — the reasoning behind the argument — matters, as do the premises on which an argument is built. And sometimes, you have to call folks out on the form of their arguments — whether it is Bill O’Reilly or the left’s odd embrace of free-market ethos in the aftermath of the Phil Robertson suspension by A&E.

This is what Fish specializes in — and why his brand of rhetorical criticism will be missed. We can only hope that the Times has the foresight to find someone equally as adept at identifying and deconstructing bad arguments. Lord knows that we’re awash in them.

The Year in Music: A to Z

It’s Christmas Eve and the year is approaching its end, so it is time for the annual musical compendium known as The Year in Music: A to Z. I started doing it this way a number of years ago, because of the large number of records I thought worth praising — and panning — from the year about to close.

Enjoy, and Happy Christmas.

A: A is for album of the year. This was tough, with a host of worthy contenders. In the end, two debut albums caught my attention and I couldn’t narrow it down any farther: Savages’ savage Silence Yourself and Parquet Courts’ Light Up Gold are albums that are at once so thoroughly contemporary and throwbacks to earlier punk/alternativesounds.

B: Bowie’s back. Next Day is the best thing he’s done in nearly three decades.

C: Mikail Cronin’s MCII was so good, he gets a letter to call his own.

D: Debut records — in addition to the Savages and Parquet Courts, Pillowfight, Foxygen and Valerie June issued great debuts.

E: Electronica. This is a genre I generally don’t much listen to, but if records like Blackbird by Fat Freddie’s Drop and Real by Elastic Bond were great.

F: Farewell, which is how we have to look at Glen Campbell’s See You There. Campbell is underrated as an artist, mostly because of poor song choices and overproduction over the years. But Campbell, at his best, is the quintessential countrypolitan artist — urbane and tender and by far the best interpreter of Jimmy Webb’s canon out there. This record is stripped down and reclaims what is best about Campbell for the ages.

G: Guilty pleasures. Both Lady Gaga and Dido released relatively disappointing discs this year — and yet both are guilty pleasures. They are not great records, but I think they are worth a listen.

H: Hollywood, as in Hollywood director David Lynch. This one came out of left field for me, a great record by the acclaimed director — The Big Dream.

I: International, M.I.A.’s Matangi leads a list of great music from around the world.
J: Just not digging discs from Arctic Monkeys, Pearl Jam or Queens of the Stone Age. I like these bands, but their latest just left me cold.

K: is for Khatib — Hanni El Khatib’s Head in the Dirt.

L: Louder the better — along with the Savages, which is best played at high volumes, the Black Rebel Motorcycle Club’s Spector at the Feast should be blasted from the speakers.

M: Matangi is both her real first name and a ghoulash of sound.

N: Not your neighbor’s country music, but maybe your grandfather’s. Four albums stood out for me — Steve Earle’s Low Highway, Shooter Jennings’ The Other Life, Emmylou Harris & Rodney Crowell’s Old Yellow Moon and Son Volt — a rock band’s Honky Tonk, which gets my vote for best country record of the year.

O: Overhyped — as in Arcade Fire’s Reflektor is respectable, but the advance on it was over the top.

P: P!nk always offers a rowdy time.

Q: Question — Who thought pairing Billy Joe Armstrong with Norah Jones on an album of Everly Brothers songs would be a good idea?

R: Rest in peace, Lou.

S: S is song of the year and, for me, that ended up being John Grant’s sublime and ironic “GMF.” It is not everybody’s cup of tea, but it’s one of those songs that I often end up replaying.

T: Theme song, my new theme song, otherwise known as “Handyman’s Blues” from Billy Bragg’s fine Tooth & Nail.

U: Underrated. Both Willie Nile and Garland Jeffreys really deserved to be stars and their latest albums, American Ride and Truth Serum, are just additions to a long list of great and under-appreciated records. Buy both of these.

V: Verse that is not so pedestrian is a good way to characterize Frightened Rabbit’s excellent Pedestrian Verse.

W: Women singers — The Savages, yes. Valerie June, of course. M.I.A., too. And Neko Case, Pillowfight, Best Coast, Camera Obscura, Courtney Barnett, Lydia Loveless, Natalie Maines, Anna Calvi, Cate Le Bon, Kasey Musgrave — the list of great music by women is long this year.

X: For extra credit (a stretch, I know). Macklemore & Ryan Lewis’ The Heist may have come out in 2012, but it’s been in regular rotation here all year.

Y: Yes, these two recorded together — while not perfect, Wise Up Ghost by Elvis Costello and the Roots makes the list of top records.

Z: As in zzzzzz — or snooze time — for the hype machine surrounding One Direction, Miley Cyrus and all of the stuff that is likely to make up the next Grammy broadcast.

Word choice matters

Bill Keller shoots for what I think is supposed to be an unbiased look at the debate among Democrats, liberals and progressives (and yes, folks, these are three separate entities) over income inequality, mobility and jobs. His column, however, is anything but unbiased and the reason is simple: Word choice.

As I tell my students, word choice matters. There is a difference — subtle as it may be — between having someone “say” something in a news story and having them “claim” the same. Claim, as Websters points out, has a number of meanings, but the relevant one for attribution of comments is this: “to state as a fact or as one’s belief (something that may be called into question).”

So, when we write, “Joe says he was beaten by police,” what we are saying is that Joe said it, without any implication as to its veracity; when we write, “Joe claims he was beaten by police,” we insert a small bit of doubt into the equation. Again, this is incredibly subtle, but accrual of these kinds of tiny distinctions creates a larger impression in a story.

Keller’s column today is far less subtle. From its opening statement — “Inequality is in.” — to the way in which it refers to the left-most edges of the debate, Keller’s column is an attempt to pull the debate over income inequality back toward the corporate centrist position. (Notice my word choice? This is an intentional signpost designed to tell you where I stand on the issue.)

“Inequality is in,” he writes, as if he were writing about the latest in fine fashion. The phrasing carries echoes of the style pages or celebrity coverage, an approach that the serious pundit is supposed to dismiss. Inequality, the phrasing implies, is just the latest opinion du jour; tomorrow, there’ll be something else. And, given the fickle nature of the political classes (note my word choice again), he is probably right. Something else will be coming down the pike really soon.

But Keller has a point to make, though he wants you to think that his column is just an exposition of a debate occurring on the left side of the political world. He doesn’t really have an opinion, though he knows it is something he is supposed to have.

If you traffic in opinions, as a pro or an amateur, you’d better have opinions about inequality. And so I set off into the intramural battlefield to see what’s up.
There’s that tone again. The issue, he implies, is just part of a game we in the pundit class play, or maybe just something we have dredged up because we are required to do so as card-carrying pundits. You better have something to say, after all, because, well, it’s part of the job description.
Then he gets serious. He outlines the very real problem — in a paragraph — but shifts to the equally real and pernicious problem of class immobility. He makes a strong case that this is the real danger and, while I disagree that it should be an either/or proposition, he has a rhetorical rationale for setting things up in this way, one that becomes apparent as he outlines the debate on what he describes very broadly as the left side of the political spectrum:
The left-left sees economic inequality as mainly a problem of distribution — the accumulation of vast wealth that never really trickles down from on high. Their prescription is to tax the 1 percent and close corporate loopholes, using the new revenues to subsidize the needs of the poor and middle class. They would string the safety net higher: expand Social Security, hold Medicare inviolate, extend unemployment insurance, protect food stamps, create more low-income housing. They would raise the minimum wage.
The center-left — and that includes President Obama, most of the time — sees the problem and the solutions as more complicated. Yes, you want to provide greater security for those without independent means (see Obamacare), but you also need to create opportunity, which means, first and foremost, jobs. Yes, you can raise taxes on the rich, but you don’t want to punish success. “You want to increase social mobility by providing an opportunity for the bottom to become rich, not forcing the rich to become poor,” said Acemoglu, who aligns more with the center than with the populists.

Look closely at these two paragraphs. They are straightforward evocations of the debate, right? Not so fast. Look more closely and you start to notice some subtle difference, primarily in the selection of details.

The first, describing the “left-left” — yes, that would include the writer of this post — points to a series of solutions that can be described primarily as “more of the same.” The “left-left,” Keller is saying, just wants higher taxes on the rich so we can continue to provide the same kind of social-safety net we’ve always provided. It is simple, really, he has them saying. (That is only partially true. The “left-left” program is much broader than this and includes a lot more structural alterations.)

Contrast this with the “center-left,” which Keller says “sees the problem and solutions as more complicated.” The “center-left” wants many of the same things that the “left-left” wants, but the “center-left” are grown-ups. They don’t want to “punish success.” And the “center-left” gets a spokesman with authority speaking with a real voice in a direct quotation, which gives what he says a lot more heft than the vague, almost straw-men like lefties who just want to take that Keller has posited. The “center-left,” in the person of MIT economist Daron Acemoglu, knows that the issue is “social mobility,” and “providing an opportunity for the bottom to become rich, not forcing the rich to become poor.”

That seems reasonable, right? Of course, the “left-left” is not asking for the “rich to become poor.” The “left-left” — in this case, Sens. Elizabeth Warren and Sherrod Brown and not Slavoj Zizek, Howard Zinn or even the Rev. Dr. Martin Luther King Jr. — is asking for a fair distribution of resources, which means taking a little from those who have to help those without avoid abject poverty. But it is convenient to paint those on the “left-left” as being willing to bankrupt the rich (this is on Keller; I haven’t read Acemoglu’s book and I don’t know the context for his quotation). This is called the straw-man fallacy, which is described by the Purdue OWL website as a move that “oversimplifies an opponent’s viewpoint and then attacks that hollow argument.”

People who don’t support the proposed state minimum wage increase hate the poor.

In this example, the author attributes the worst possible motive to an opponent’s position. In reality, however, the opposition probably has more complex and sympathetic arguments to support their point. By not addressing those arguments, the author is not treating the opposition with respect or refuting their position.

In the case of Keller’s argument, he has used the Acemoglu’s quotation to turn calls for some basic fairness in the tax code (there I go with the word choice again) into a desire to bankrupt an entire class.

Keller then goes on to describe the “left-left” view of entitlements (all of those programs that we actually pay into with the expectation that we will get something back later, like Social Security, Medicare and unemployment insurance) as a debate between hardliners — or maybe children — and a reasonable, grown-up group of policy intellectuals.

The left-left, he says “seems to believe” that all of the things it wants can “be had by milking the rich and cutting military spending.” In contrast, he says, “centrists would raise taxes some and cut defense spending some,” but also want to “curb the growth of entitlements,” because “the stampede of baby boomers into Social Security and Medicare will crowd out everything else.” So, the left has not plan aside from tax and spend — which is utter nonsense — while centrists are ready to act like adults. The left, after all, “tends to treat entitlements as sacred” and wants to expand them (this is all he says about the left’s approach), while those reasonable centrists

favor measures to slow the growth of entitlements: using a cost-of-living adjustment (COLA) formula that more accurately reflects how people spend, cutting benefits for those who don’t really need them, possibly extending the retirement age a couple of years, and using the government’s leverage to drive down the costs of medical care.

And then there is his use of “reform,” a word that has grown into a cudgel in the hands of those who want to gut what is left of the safety net (does my word choice betray me?). Keller attempts to get ahead of this by accusing the left of viewing reform “as a euphemism for taking stuff away” and something to be resisted. This is a bad thing, he implies, even though that is exactly what he is advocating. The left just want to take, while the centrists

Ultimately, Keller views the larger liberal project — and most of the views along the spectrum — as superior to those being espoused on the right, which he describes as “a discredited gospel of gutting government, cutting taxes and letting the market sort it out.” Of course, much of the centrist pablum (ugh, my word choice again), is just a softer, gentler version of what the right has been pushing for years, whether it is the false promise of a reformed COLA that measures inflation based on our reactions to tighter economic circumstances (buying less meat to stretch the family budget would be factored in) or pushing the retirement age higher (which just delays when people can collect benefits and has no correlation to what is happening in the job market).

But this is not a post on whether the “left-left” or the “center-left” is right in this debate — or no more than Keller’s column in the Times was just an exposition on the debate among lefties, liberals and Democrats about economic inequality. I’m as neutral on this as Keller is.

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Sublime parody or tone-deaf defense of lost privilege?

When I picked up the Wall Street Journal’s Review section this morning, I was greated with a story titled, “The Last Great American Wasp.” At first, I was thinking it might be a piece about colony collapse among bees and wasps and the larger environmental impact that will have.

Much to my chagrin, however, the piece — an essay by social critic Joseph Epstein — had nothing to do with bees. Instead, it is an assault (warranted) on today’s meritocratic culture, predicated on the notion that the old elites, the White Anglo Saxon Protestants, offered a more stable and less corrupt mode of leadership.

Trust, honor, character: The elements that have departed U.S. public life with the departure from prominence of WASP culture have not been taken up by the meritocrats. Many meritocrats who enter politics, when retired by the electorate from public life, proceed to careers in lobbying or other special-interest advocacy. University presidents no longer speak to the great issues in education but instead devote themselves to fundraising and public relations, and look to move on to the next, more prestigious university presidency.

My first reaction was: “This must be a Colbert-ian send-up, a sublime parody of the kinds of bogus defenses of the past that we get periodically.” No one, after all, could seriously believe that our former WASP leaders were such benevolent stewards of American government and the economy that we were able to avoid financial meltdowns and federal scandals.

As Kevin Phillips documents in American Dynasty, the Bush financial empire was no less built on unsavory business practices than the Kennedy empire and the notion that it is the meritocrats that are particularly susceptible to scandal is absurd.

The seamy subtext of Epstein’s piece, of course, has nothing to do with meritocracy and everything to do with what the very groups who now have access to power. It is backward looking, elitist (which he would admit) and racist (these earlier elites, by his definition, were white Protestants).

And he is right. “The WASPs’ day is done.” But his tone-deaf and historically erroneous notion that WASP leadership was responsible for all of the great in our past and that we have lost something with its demise is not. Meritocracy may be badly flawed and, as Chris Hayes argues in his book Twilight of the Elites, a poor model on which to build an egalitarian society, but arguing that a system that relied on privilege and birth-right was better is downright absurd.

More to censorship debate than the First Amendment

I waited a few days to weigh in on what may be the dopiest media storm since Miley Cyrus twerked her way into cultural infamy, but I decided that there are a set of issue in play here that need to be discussed.

Let’s set the context:

Phil Robertson, the patriarch of A&E’s Duck Dynasty, was interviewed by GQ and did what I think we all might have expected, given his public persona as a bizarre and extreme caricature of the ignorant redneck. I won’t repeat what he said, but let’s suffice to say that it was reprehensible and ignorant and Klan-ish. The comments elicited strong responses from the NAACP and the Human Rights Campaign and ultimate led to his suspension from the show.

Queue the right-wing outrage:

Todd Stearns of Fox News called the suspension an assault on the show’s Christian values.

A&E is apparently run by a bunch of anti-Christian, bigots. Duck Dynasty worships God. A&E worships GLAAD. If Phil had been twerking with a duck the network probably would’ve given him a contract extension. But because he espoused beliefs held by many Christians, he’s been silenced.

Others, such as Sarah Palin, Sean Hannity and Sen. Ted Cruz also have come to Robertson’s support.

Nothing unusual, so far. There have been intimations that right-wingers view this as a First Amendment issue, though I can find few actual conservative comments that reference it (aside from this statement from Louisiana Gov. Bobbie Jondal).

The response on the left was simple: The First Amendment covers government censorship, not the behavior of businesses. This, as far as it goes, is true. It also scares the hell out of me.

Companies do have the right to determine how best to protect their brand, and it is important that we understand the contractual relationship (the best way to protect the brand) between the Robertson family and A&E, whether there were clauses in the contract that cover the Robertsons’ public appearances — like the GQ story — and what not. This is no different than what happened with Paula Deen.

But the simplistic recoil to the First Amendment on both sides in this case is a rash simplification that dismisses legitimate concerns about who gets to determine what we say and when. The First Amendment covers government censorship, but censorship can occur outside the government arena.

Consider a nurse who works for a Catholic hospital. She is pro-choice and active with a local pro-choice group, writes letters, engages in clinic protection activities. Should the hospital be able to suspend or fire her for her political activities?

Consider the Walmart worker who advocates for unionization. She distributes, outside of work, fliers to her fellow workers. She pens letters to the editor of the local newspaper explaining why Walmart needs to be unionized. She gets fired for doing so. It is not a First Amendment case, but a case of censorship on the part of the company.

It also wasn’t a First Amendment issue when Walmart imposed its cultural mores on the music industry, requiring any CD that was to be sold at the retailer in the mid-’90s — when it was the largest retailer of music in the nation — to meet its very stringent requirements. Record companies responded by editing and dubbing songs, removing songs from CDs, altering artwork, etc.

And we should think back to the controversies surrounding films like The Last Temptation of Christ and TV shows like NYPD Blue. When Scorcese’s film was released, it met a boycott from conservative Christians and the Catholic church, who were seeking to influence the film’s distributor to pull it and theaters not to show it. The same kind of protests and boycotts — this time targeting advertisers — met NYPD Blue because the show crossed into gray area, showing partial nudity and using language then not normal for prime-television. In both cases, the boycott efforts targeted corporate parents in an effort to get them to pull support. Had the corporate masters acquiesced, they would have done so on economic grounds — which is not a lot different than what A&E has done with Robertson.

Are we really comfortable having corporate America police speech and political activism, and having them judge the art and entertainment that is appropriate for the rest of us? I’m not.

Here is what the cultural critic Jon Katz wrote in 1997, as the Walmart music controversy was still unfolding. Wal-Mart, by “acting as our moral guardian,” was “profoundly altering the way music is produced and marketed,” and that it was representative of a larger effort on the part of corporations 
to control the kinds of cultural products being made and released.

Few seem to understand that censorship isn’t limited to governmental entities; that large corporations are deeply and continuously engaged in censorship of movies, TV programs, and magazines, as well as music. That when retail outlets as large as Wal-Mart or Blockbuster Video refuse to sell certain kinds of CDs or movies, those CDs and movies are less likely to get made in the first place.

Few people realize how large corporations – using marketing, legal, and other constraints – work to limit our creative, informational, and cultural offerings by pursuing safe, noncontroversial content. One of their many side effects is that smaller retailers who will sell more diverse kinds of creative offerings are driven from business, making the things Wal-Mart and Blockbuster don’t like unavailable not only in their chain outlets, but everywhere.

Few Americans see the way large corporations from Disney to Westinghouse have ravaged mainstream media, posing a far greater menace to freedom on the Web than the goofy Communications Decency Act ever could. The Microsofting of the Internet is not some paranoid fantasy, but a multibillion-dollar project well underway.

Censorship, as he says, is more than just a First Amendment issue. But we seem unwilling to view corporate censorship in the same light as government interference. People, he said, “have a curious resistance to seeing censorship as having an economic dimension.”

The notion that only governments censor is a widespread belief on the Net and the Web. Censorship is the Communications Decency Act, something passed by Congress or mandated by the FCC. It involves heavyhanded federal agents, midnight raids, confiscated computers, jail terms

Anything else is just the free will of individuals and companies or the quixotic nature of the marketplace

That is, partly, the subtext of LZ Granderson’s otherwise useful column on the controversy. Your boss, Granderson implies, has a right to censor you if he doesn’t like what you say. You can say it, but you have to deal with the potential fallout, which can include being fired.

I have to wonder whether Granderson and others who are making this economic argument now are prepared to let it stand for the Walmart worker mentioned above. Or whether it would be OK for me to be fired for taking a public political stand with which my boss disagrees? If I write a blog post announcing to the world that I am a socialist and my boss gets angry, would it be acceptable for my boss to fire me? What if I had an Obama or Romney bumper sticker on my car? If so, under what circumstances (this is why it is important to know the contractual relationship between A&E and the Robertsons in this case)? This is the crux of the economic argument, as I understand it. It is just as chilling to our free-speech rights to have to wonder if what we say will anger the boss and get us fired as it is to wonder whether it will anger the government and get us sanctioned.

Here is Katz again:

I would challenge those of you who think that way to do some homework, and to rethink the very narrow definitions of censorship, to recognize the increasing censorship directly and indirectly practiced by the corporations that have taken over much of American media, with little challenge from either the press, Congress, national political figures, or federal regulatory agencies.

Again, I am not defending what Robertson said (it was reprehensible and disgusting and I am glad that it elicited a strong public response), nor am I saying that A&E reacted badly (again, we should turn to the contract). My concern is that we do our free-expression and political rights great damage if we ignore the potential dangers of corporate censorship.

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I thought I would add a note about boycotts, which essentially are the use of our buying power to effect change, either in behavior or belief. I have always been ambivalent about them. The use of economic pressure to change behavior can be effective (think Apartheid or efforts to end sweatshop labor), but they also can be a way to silence dissent (think of the boycotts of the Dixie Chicks after Natalie Maines’ comments about George W. Bush).

I am comfortable, for instance, with a boycott of Chick-Fil-A, because the boycott is designed to offset the money the company spends on passing anti-gay legislation — essentially, it is money meeting money. But I would be uncomfortable with the same boycott if it were in response only to something the company’s president said. (And, yes, these distinctions are pretty fine and may not be consistent, which is another reason I am ambivalent.)

***
And, yes, my thinking has evolved some on this since the Paula Deen debacle a few months back, but no one attempted to turn that into a debate over censorship. Maybe this is a debate we should have had then.
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