Monday Music: Notes on Kris Kristofferson

And a Playlist for Palestine
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Reading List 9-29

Five Essays and Articles from the Week to Help Understand the Moment
͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­

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Essay: The Widening War

Israell’s Aggression Spreads to Lebanon
͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­

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Essay: The Widening War

Israell’s Aggression Spreads to Lebanon

Hank Kalet
Sep 29
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Israel’s war on Gaza is metastasizing like a cancer into a broader regional war that will result in more civilian deaths and the further empowerment of ethnic and theocratic nationalists in Israel and across the Middle East.

As we approach a year of fighting in Gaza and the anniversary of the Oct. 7 Hamas attacks, a year that has left more than 41,000 Palestinians dead and nearly 100,000 wounded, Israel has expanded its assault and is now targeting Lebanon in response to Hezbollah rocket attacks that have driven 60,000 Israelis from their homes.

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Israeli Prime Minister Benjamin Netanyahu and his cabinet have apparently dismissed cease-fire negotiations with Hezbollah, describing the “U.S.-French proposal” as a nonstarter.

"The news about a so-called directive to moderate the fighting in the north is also the opposite of the truth,” a statement said, adding that “The prime minister instructed the IDF to continue fighting with full force, and according to the plans that were presented to him.”

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Israel says troops are preparing for a possible ground incursion in Lebanon

Global News Podcast

30:36

The BBC reports that “a third of Lebanon’s population come from families that have already fled their homes at least once, either in Syria or many years ago on land that now forms part of Israel, Gaza or the occupied West Bank.” And Israel’s bombing campaign — and impending ground invasion — are forcing more people to flee their homes, putting “Lebanon on the brink.”

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“There is no real option but to end this enormous aerial campaign against Lebanon, and of course Hezbollah to stop with these indiscriminate rockets going into Israel,” Eglund said.

That is not enough, though. What we are witnessing is not new. Israel invaded and occupied southern Lebanon through much of the 1980s and 1990s. It has occupied the West Bank and Gaza for much longer. Its earliest arguments for doing so were strategic, part of a plan to create a buffer between the new nation and hostile neighbors. That history is contested, of course, and Israel’s actions from its inception have helped create the tensions that continue to exist, and that have been exacerbated by a shift from secular leaders to a hard-right coalition of proto-fascists and theocrats who are bent on establishing a “Greater Israel” that includes the Occupied Territories and parts of other Middle Eastern states.

Israel’s actions — and the rationale of its governing elite — closely parallel those of Vladimir Putin and Russia in Ukraine. Putin argues that Ukraine is part of a greater Russia, that it was never independent.

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The comparison might seem a stretch, but I think it is supported by an honest retelling of the history that takes into account not just Israeli voices but Palestinian voices, as well, and allow us to address the largely moral questions at the center of a conflict that goes back more than a century and that has roots that go back even farther…

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Saturday Note: Erasing the Palestinians

Biden Statement Endorses Assassinations, Ignores Gazans
͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­

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Syndication Questions

Books by Hank Kalet

Monday Music Notes: A Lost Gem

Old Songs, New Songs, and a Question for Eric Clapton
͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­͏   ­

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Monday Music Notes: A Lost Gem

Old Songs, New Songs, and a Question for Eric Clapton

Hank Kalet
Sep 23
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Michel Polnareff performing the songs "Love me please love me" and "Ta ta ta" on Dutch TV programme Fanclub, 14 March 1967. Source: Beeld en Geluid Wiki, an initiative by the Netherlands Institute for Sound and Vision.
Riding the Parkway with the Underground Garage on, Bill Kelly filling the black hole.

He present a challenge, a song from 1966 by a French singer in English, a song I’d never heard.

“Tell me this isn’t the best song ever,” he says (I think he said this; I was driving so I couldn’t take notes).

WGQ3XlpRrkEAnd then it starts, bass, guitar, and drum play the riff in unison. Repeat over a shuffling drum. Then the singer in upper register. “You say,” pause for the riff, for a twisting guitar fill, “you’re my little girl.” Repeat and into falsetto. Two minutes and 22 seconds of pure rock-and-roll pleasure. A simple, economic bit of mid-sixties pop that has now embedded itself in my brain.

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This is the power of a guitar riff, especially the simpler ones. Economy meeting energy. The Beatles’ “Drive My Car,” “Taxman,” “I Call Your Name.” The Stone opening to “Street Fighting Man,” “Satisfaction,” or “Jumping Jack Flash.” “Seven Nation Army” by The White Stripes.

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It’s also the power of free-form radio, like WNEW when I was a teen, of DJs like Bill Kelly digging deeply into the history of popular music and building playlists that highlight the most famous songs and the forgotten, breaking down genre barriers and weaving all of recorded music into a single thread.

Polnareff is largely forgotten, I assume, at least in the United States where the album on which it appears, Love Me, Please Love Me, failed to chart.

I’d never heard of him or this tune or album, but I woke up with that riff in my head, the song feeling contemporary, fresh. New.

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