Border Song: A Story of Violence and Flight

Carmela fled to New Jersey to escape violence in Guatemala. Now she waits for the U.S. immigration system to decide if she can stay. Meanwhile, all of the other Carmelas wait, as well.

This the story of a refugee. It is her story, but also one that is emblematic of so many other stories of so many men, women, and children who have fled violence and threats of violence, extreme poverty (which is a form of violence), environmental degradation, political and economic corruption, and the long list of ills that consume many in the so-called Third World.

Carmela is from Guatemala. She first tried entering the United States in 2011, fleeing local violence, but was turned away. She returned to Guatemala and became involved with a man who became abusive. She was raped, the police were unresponsive, and her son was threatened. So she fled Guatemala a second time, traveling by bus across Mexico and crossing into Arizona. She now resides in central New Jersey with her two kids and awaits an immigration hearing.

Carmela (not her real name) says she would prefer to have stayed in Guatemala, but the violence and corruption there have made it impossible, and the United States offers her the best chance at safety for herself and her children. However, there are no guarantees that she will be given that chance, as the Trump administration makes efforts to stem the flow of refugees into the country.

Read the complete essay at The Medium.

News from the Desk of Hank Kalet June edition

for web siteFrom the Desk of Hank Kalet

June 17, 2019
We are deep into the second quarter of 2019 and I’ve tried to step up my writing, especially on issues of race and immigration. I am still working on an anthology of writing on Alzheimer’s and dementia (see Broken Cord below), and I’m writing about poverty and economic insecurity in a joint Free Press/CoLABArts project called 37 Voices. These should be public later this year, as should a play I’ve been writing. I’ll be posting the first half of the play to Patreon — but only for paying patrons, as an extra — in the coming weeks. And I’ve got lots more on tap. So, make a contribution to Broken Cord. Become a patron. Buy my books. And feel free to email me at hankkalet@gmail.com with questions, complaints, recommendations, and the like.

Find the newsletter here.

News from the Desk of Hank Kalet

Hank Kalet
Contributing Writer, NJ Spotlight
Political Columnist, The Progressive Populist

Freelance writer / Editor

Twitter: @newspoet41 / @kaletjournalism
Instagram: @kaletwrites
Facebook: facebook.com/hank.kalet

Help fund my journalism and creative work as a patron at Patreon: https://www.patreon.com/Newspoet41

Sent from my iPad

Hank Kalet
Contributing Writer, NJ Spotlight
Political Columnist, The Progressive Populist

Freelance writer / Editor

Twitter: @newspoet41 / @kaletjournalism
Instagram: @kaletwrites
Facebook: facebook.com/hank.kalet

Help fund my journalism and creative work as a patron at Patreon: https://www.patreon.com/Newspoet41

Sent from my iPad

Begin forwarded message:

From: Hank Kalet <hankkalet@gmail.com>
Date: June 17, 2019 at 1:53:07 PM EDT
To: <otherhalf@comcast.net>
Subject: News from the Desk of Hank Kalet
Reply-To: <hankkalet@gmail.com>

News from the Desk of Hank Kalet <!–

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<![endif]–>

From the Desk of Hank Kalet

June 17, 2019
We are deep into the second quarter of 2019 and I’ve tried to step up my writing, especially on issues of race and immigration. I am still working on an anthology of writing on Alzheimer’s and dementia (see Broken Cord below), and I’m writing about poverty and economic insecurity in a joint Free Press/CoLABArts project called 37 Voices. These should be public later this year, as should a play I’ve been writing. I’ll be posting the first half of the play to Patreon — but only for paying patrons, as an extra — in the coming weeks. And I’ve got lots more on tap. So, make a contribution to Broken Cord. Become a patron. Buy my books. And feel free to email me at hankkalet@gmail.com with questions, complaints, recommendations, and the like.
Carmela and her family in Texas.

Border Song: A Story of Flight:

This the story of a refugee. It is her story, but also one that is emblematic of so many other stories of so many men, women, and children who have fled violence and threats of violence, extreme poverty (which is a form of violence), environmental degradation, political and economic corruption, and the long list of ills that consume many in the so-called Third World.

Carmela is from Guatemala. She first tried entering the United States in 2011, fleeing local violence, but was turned away. She returned to Guatemala and became involved with a man who became abusive. She was raped, the police were unresponsive, and her son was threatened. So she fled Guatemala a second time, traveling by bus across Mexico and crossing into Arizona. She now resides in central New Jersey with her two kids and awaits an immigration hearing.

Carmela (not her real name) says she would prefer to have stayed in Guatemala, but the violence and corruption there have made it impossible, and the United States offers her the best chance at safety for herself and her children. However, there are no guarantees that she will be given that chance, as the Trump administration makes efforts to stem the flow of refugees into the country.

***
My latest work from The Medium:

Border Song: A Story of Flight (June 17)

Carmela fled Guatemala to escape domestic and gang violence, but now waits in limbo for the asylum system to review her claim.

https://link.medium.com/QSw8cnnaBX

Flawed Perceptions: A White Man Ponders the Rush to Judgment (June 16)

Ava DuVernay’s When They See Us is a brilliant retelling of the Central Park Five case — and a devastating critique of the criminal justice system.

https://link.medium.com/ioJXz2xaBX

Running to Freedom (June 15)

Some notes on aging, injuries, and why we run. This is a repost from several years ago.

https://link.medium.com/gDP7TOBaBX

Criminalization of Aid: Par for the American Course (June 2)

Federal charges against a Good Samaritan at the border are part of a larger historical trend in which those who aid “the other” face criminal charges.

https://link.medium.com/mxpnGiWaBX

It’s Not About Assange, It’s About Press Freedoms (May 23)

Assange may not be popular, Burt he is a publisher and deserves First Amendment protections.

https://link.medium.com/pknNsCYaBX

The Time for Licenses Is Now (May 2)

New Jersey Immigrants Need to Drive to Survive in the State. It’s Time the Legislature and Governor Make That Happen.

https://link.medium.com/7MqQXQ1aBX

David Brooks, Immigration, and the Fallacy of Practical Politics (April 14)

Brooks’ Centrism Is Based on Restrictionist Assumptions.

https://link.medium.com/f5cR9k6aBX

 

Lies, Threats and War With Iran
Interesting if incomplete analysis from The New York Times on the accusations against Iran in he Gulf of Oman. The piece focuses on President Trump’s well-documented lies and distortions. All presidents lie, or “manage the truth,” but I’ve never seen a president who lies to such a degree on matters both of importance and of no consequence.
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Become a patron at Patreon

Help fund my journalism and other content by becoming a patron at Patreon. For $1 a month, you will get access to all political and cultural essays, a regular poem, South Brunswick-related journalism, and extras, including access to early previews of upcoming work, and a digital copy of my chapbook, From the Latin.

<!–[if mso]>

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Contribute to Broken Cord
We are looking to raise seed money for an anthology of writing on Alzheimer’s and dementia. The anthology will be the first project from a new small press. All proceeds will go to research and care groups. Contributors who donate $20 or more will get copies of the anthology and a mention on the acknowledgements page. Writers, we are looking for poems, fiction, and essays on dementia and Alzheimer’s. They can be from any perspective — care-givers, family, the person with dementia.

To contribute money to defray publication costs, click on our Go Fund Me campaign.

To submit writing to the project, email me here.

<!–[if (gte mso 9)|(IE)]>

<![endif]–>

As An Alien in a Land of Promise is the latest work by poet Hank Kalet. Based on more than a year of reporting and research, the book is a hybrid work of journalism and poetry, with breathtaking photos by Sherry Rubel, that tells the story of the men and women who lived in the now-defunct Tent City in Lakewood, NJ. Buy this and other books by Hank Kalet here.

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Copyright © 2019 Hank Kalet, All rights reserved.
You are receiving this email because you’ve signed up for the Channel Syrfing newsletter.

Our mailing address is:

Hank Kalet

16 Rumson Road

Kendall Park, NJ 08824

Add us to your address book

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Email Marketing Powered by Mailchimp

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News from the Desk of Hank Kalet

<!–

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<![endif]–>

From the Desk of Hank Kalet

June 17, 2019
We are deep into the second quarter of 2019 and I’ve tried to step up my writing, especially on issues of race and immigration. I am still working on an anthology of writing on Alzheimer’s and dementia (see Broken Cord below), and I’m writing about poverty and economic insecurity in a joint Free Press/CoLABArts project called 37 Voices. These should be public later this year, as should a play I’ve been writing. I’ll be posting the first half of the play to Patreon — but only for paying patrons, as an extra — in the coming weeks. And I’ve got lots more on tap. So, make a contribution to Broken Cord. Become a patron. Buy my books. And feel free to email me at hankkalet@gmail.com with questions, complaints, recommendations, and the like.
Carmela and her family in Texas.

Border Song: A Story of Flight:

This the story of a refugee. It is her story, but also one that is emblematic of so many other stories of so many men, women, and children who have fled violence and threats of violence, extreme poverty (which is a form of violence), environmental degradation, political and economic corruption, and the long list of ills that consume many in the so-called Third World.

Carmela is from Guatemala. She first tried entering the United States in 2011, fleeing local violence, but was turned away. She returned to Guatemala and became involved with a man who became abusive. She was raped, the police were unresponsive, and her son was threatened. So she fled Guatemala a second time, traveling by bus across Mexico and crossing into Arizona. She now resides in central New Jersey with her two kids and awaits an immigration hearing.

Carmela (not her real name) says she would prefer to have stayed in Guatemala, but the violence and corruption there have made it impossible, and the United States offers her the best chance at safety for herself and her children. However, there are no guarantees that she will be given that chance, as the Trump administration makes efforts to stem the flow of refugees into the country.

***
My latest work from The Medium:

Border Song: A Story of Flight (June 17)

Carmela fled Guatemala to escape domestic and gang violence, but now waits in limbo for the asylum system to review her claim.

https://link.medium.com/QSw8cnnaBX

Flawed Perceptions: A White Man Ponders the Rush to Judgment (June 16)

Ava DuVernay’s When They See Us is a brilliant retelling of the Central Park Five case — and a devastating critique of the criminal justice system.

https://link.medium.com/ioJXz2xaBX

Running to Freedom (June 15)

Some notes on aging, injuries, and why we run. This is a repost from several years ago.

https://link.medium.com/gDP7TOBaBX

Criminalization of Aid: Par for the American Course (June 2)

Federal charges against a Good Samaritan at the border are part of a larger historical trend in which those who aid “the other” face criminal charges.

https://link.medium.com/mxpnGiWaBX

It’s Not About Assange, It’s About Press Freedoms (May 23)

Assange may not be popular, Burt he is a publisher and deserves First Amendment protections.

https://link.medium.com/pknNsCYaBX

The Time for Licenses Is Now (May 2)

New Jersey Immigrants Need to Drive to Survive in the State. It’s Time the Legislature and Governor Make That Happen.

https://link.medium.com/7MqQXQ1aBX

David Brooks, Immigration, and the Fallacy of Practical Politics (April 14)

Brooks’ Centrism Is Based on Restrictionist Assumptions.

https://link.medium.com/f5cR9k6aBX

 

Lies, Threats and War With Iran
Interesting if incomplete analysis from The New York Times on the accusations against Iran in he Gulf of Oman. The piece focuses on President Trump’s well-documented lies and distortions. All presidents lie, or “manage the truth,” but I’ve never seen a president who lies to such a degree on matters both of importance and of no consequence.
<!–[if mso]>

<![endif]–> <!–[if mso]>

<![endif]–> <!–[if mso]>

<![endif]–>

Become a patron at Patreon

Help fund my journalism and other content by becoming a patron at Patreon. For $1 a month, you will get access to all political and cultural essays, a regular poem, South Brunswick-related journalism, and extras, including access to early previews of upcoming work, and a digital copy of my chapbook, From the Latin.

<!–[if mso]>

<![endif]–>

<!–[if (gte mso 9)|(IE)]>

<![endif]–>

Contribute to Broken Cord
We are looking to raise seed money for an anthology of writing on Alzheimer’s and dementia. The anthology will be the first project from a new small press. All proceeds will go to research and care groups. Contributors who donate $20 or more will get copies of the anthology and a mention on the acknowledgements page. Writers, we are looking for poems, fiction, and essays on dementia and Alzheimer’s. They can be from any perspective — care-givers, family, the person with dementia.

To contribute money to defray publication costs, click on our Go Fund Me campaign.

To submit writing to the project, email me here.

<!–[if (gte mso 9)|(IE)]>

<![endif]–>

As An Alien in a Land of Promise is the latest work by poet Hank Kalet. Based on more than a year of reporting and research, the book is a hybrid work of journalism and poetry, with breathtaking photos by Sherry Rubel, that tells the story of the men and women who lived in the now-defunct Tent City in Lakewood, NJ. Buy this and other books by Hank Kalet here.

<!–[if (gte mso 9)|(IE)]>

<![endif]–>

<!–[if mso]>

<![endif]–> <!–[if mso]>

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<![endif]–>

<!–


–>
<!–[if mso]>

<![endif]–> <!–[if mso]>

<![endif]–> <!–[if mso]>

<![endif]–>

Copyright © 2019 Hank Kalet, All rights reserved.
You are receiving this email because you’ve signed up for the Channel Syrfing newsletter.

Our mailing address is:

Hank Kalet

16 Rumson Road

Kendall Park, NJ 08824

Add us to your address book

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Email Marketing Powered by Mailchimp

<!–[if mso]>

<![endif]–>

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<![endif]–>

Sample Creative Writing Syllabus

Here is the syllabus I used for spring semester for creative writing.

Course Description

A basic course in creative and imaginative writing. Various literary forms are discussed and undertaken by the students. Student manuscripts are extensively analyzed and criticized.

Learning Outcomes

Upon successful completion of ENG 235, the students will be able to:

Creative Writing I Spring ‘19

Write better than they could before they took the course.

Demonstrate an understanding of different literary genres.

Demonstrate an understanding of the difference between content and craft.

Demonstrate a rudimentary knowledge of writing as a profession.

Demonstrate an even greater proficiency than in ENG 121 and 122 in reading critically and applying inferential and critical skills to college-level readings.

Understand the elements of literature.

Poetry — Feb. 11-Feb. 28:

1. 3 poems: Final revised poems due Feb. 16, Feb. 22, and Feb. 28;

2. 2 poetry annotations (craft focused — see questionnaire);

3. Craft-essay annotation;

Fiction — March 1-March 25:

1. Short story (3-page minimum): Draft due March 9, revision due March 25;

2. Short story annotations (craft focused — see questionnaire);

3. Craft-essay annotation;

4. Journal 1 due March 25

Creative Non-Fiction/Memoir — March 26-April 13:

1. CNF/memoir (3-page minimum): Draft due April 4, revision due April 13;

2. CNF annotations (craft focused — see questionnaire);

3. Craft-essay annotation;

Your primary discipline — April 13-May 1:

1. Choice of 3 poems, 1 short story, or 1 CNF: Draft due April 22, revision due May 1;

2. essay/review of book of poems/short fiction/CNF (1,000 words focusing on craft issues);

3. Journal 2 due May 1

Portfolio — May 2-May 9:

1. Best two annotations, revised book review, and

1. For poets: five poems in final form; one prose piece.

2. For fiction writers: two short stories; two poems or one CNF

3. For CNF writers: two CNF pieces; two poems or one story

Annotations should be from material on the reading list.

Students will participate in two sets of forums. These will replace the traditional classroom discussions.

1. Discussion of submitted student work. Everyone must offer at least two posts of critique for each submission.

2. Discussion of each assigned reading. Readings forums should be focused on what makes the writing work and not focus on theme or literary criticism. Remember, your goal is to work on your own craft and attempting to dissect others’ technique is the best way to do so.

Students also are expected to keep an online journal, which will be submitted for grading twice during the semester. The journal should include drafts of creative work, considerations of the assigned readings, notes on current events or other readings you may be doing. Keeping a journal is a good way to get in the habit of writing daily, and to think in writing. Your mechanics will not be graded, but you should do your best.

Creative writing readings

Poetry:

• Reginald Dwayne Betty’s, “Legacy.” https://www.poets.org/poetsorg/poem/legacy-0

• Alex Dimitrov, “The Moon After Election Day.” https://nyti.ms/2pN4egC?smid=nytcore-ios- share

• Jane Hirschfeld, “On the Fifth Day.” https://nyti.ms/2pN4egC?smid=nytcore-ios-share

• Fatima Asghar, “If They Should Come for Us.” https://nyti.ms/2pN4egC?smid=nytcore-ios-share

• Maggie Smith, “Small Shoes.” https://nyti.ms/2pN4egC?smid=nytcore-ios-share

• Javier Zamora, “Citizenship.” https://nyti.ms/2pN4egC?smid=nytcore-ios-share

• Gwendolyn Brooks, “Riot.” https://www.poetryfoundation.org/poems/51835/riot

• Martin Espada, “Alabanza.” https://www.poetryfoundation.org/poems/47868/alabanza-in-praise-of-local-100

• Tom Sleigh, “The Wall.” https://www.poetryfoundation.org/poetrymagazine/browse?contentId=49470

Fiction:

• Lorrie Moore, “Subject to Search.” https://harpers.org/archive/2014/01/subject-to-search/

• Jonathan Lethem, “The Dreaming Jaw, the Salivating Ear.” https://harpers.org/archive/ 2009/10/the-dreaming-jaw-the-salivating-ear/

• Kurt Vonnegut, “Harrison Bergeron.” https://archive.org/stream/HarrisonBergeron/ Harrison%20Bergeron_djvu.txt

• Jhumpa Lahiri, “The Boundary.” https://www.newyorker.com/magazine/2018/01/29/the- boundary

• Jeffery Renard Allen, “Fat Tire.” https://granta.com/fat-time/

• Ed Vega, “Spanish Roulette”

• Edwidge Danticat, “Without Inspection.” https://www.newyorker.com/magazine/2018/05/14/without-inspection

• Grace Paley, “My Father Addresses Me on the Facts of Old Age.” https://www.newyorker.com/magazine/2002/06/17/my-father-addresses-me-on-the-facts-of-old-age

• Ernest Hemingway, “The Killers.”

Creative Non-Fiction:

• Jeffery Renard Allen, “Urgently Visible: Why Black Lives Matter.” https:// evergreenreview.com/read/urgently-visible-jeffery-renard-allen/

• Allen Iverson, “Allen.” https://www.theplayerstribune.com/en-us/articles/life-and-times-of- allen-iverson

• John Metta, “I, Racist.” https://www.huffingtonpost.com/john-metta/i-racist_b_7770652.html

• Taylor Brown, “What I Saw When I Rode Out Florence.” https://nyti.ms/2D5slBO?smid=nytcore-ios-share

• Bonnie Miller Rubin, “We are the workers tasked with saving retail — for $9.50 an hour.”

https://www.washingtonpost.com/outlook/we-are-the-workers-tasked-with-saving-retail–for-950-an-hour/2018/12/17/a0523216-fe77-11e8-83c0-b06139e540e5_story.html

• Jeff Sharlet, “A Resourceful Woman.” https://longreads.com/2015/02/17/a-resourceful-woman/

• Robin D.G. Kelley, “Polycultural Me.” https://www.utne.com/politics/the-people-in-me

• George Orwell, “Shooting an Elephant.” https://hilo.hawaii.edu/~tbelt/Pols360-S08-Reading-ShootingAnElephant.pdf

• Emily Bernard, “People Like Me.” https://harpers.org/archive/2018/12/people-like-me-race-vermont-tennessee/

On Craft:

• Kurt Vonnegut, http://www.openculture.com/2018/07/kurt-vonnegut-offers-8-tips-write-good- short-stories-plus-graphs.html

• Sarah Smarsh, “Believe It: Narrative credibility is in the eye of the beholder.” https:// http://www.creativenonfiction.org/online-reading/believe-it

• Rainer Maria Rilke, “First Letter.” https://www.poets.org/poetsorg/text/letters-young-poet- first-letter

• Cate Marvin, “Tell the Truth, But Tell It Slant: First-Person Usage in Poetry.” https:// http://www.poets.org/poetsorg/text/tell-all-truth-tell-it-slant-first-person-usage-poetry

• Stephanie Burt, “Juan Felipe Herrera: ‘Blood on the Wheel.’” https://www.poetryfoundation.org/articles/69864/juan-felipe-herrera-blood-on-the-wheel

• C.M. Burroughs, “How to Make a Poem.” https://www.poetryfoundation.org/articles/147699/how-to-make-a-poem

• David Baker, “Mundane and Plural.” https://www.poetryfoundation.org/poetrymagazine/articles/141969/mundane-and-plural

• James Longenbach, “The Music of Poetry.” https://www.poetryfoundation.org/

poetrymagazine/articles/141969/mundane-and-plural

• Emily Barton, “Literary of Genre: It’s the Plot that Counts.” https://lithub.com/literary-or-genre-its-the-plot-that-counts/