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| Photo from R.E.M. Website: http://remhq.com/photo_gallery_detail.php?id=1586&gallery_id=118 |
I guess I was 19 or so when I first heard R.E.M. on college radio — most likely WRSU at Rutgers or WPRB in Princeton, though it could have been on the Penn. State station, where I was still in school.
“Radio Free Europe” came out on an independent label in 1981, received more widespread attention in the year that followed and then became the centerpiece (in a more polished version) of the band’s first full-length album, Murmur, in 1983.
The jangly guitar and muffled vocals that created an odd sense of mystery, and a title referring to the U.S. funded radio station piped into communist countries — it was a revelatory sound that, along with the remnants of punk, helped set me on a musical path that I have hued closely to ever since.
Now, 30 years after the song came out on Hib-Tone, the band is calling it quits. I can’t really blame them. The band’s first 15 years were a blur of perfection, a collection of remarkable releases that saw its stylistic pallet grow. Murmur was pure low-fi indie, as were the next few albums to follow. The band’s sound grew to fill stadiums with Document — which I think is their finest, a cross between their low-fi past and stadium present/future.And then it softened with the exquisite Automatic for the People and grew outsized and harsh with Monster. What followed was less consistently good, though had some other unknown or less-well-regarded band had produced them, albums like New Adventures in Hi-Fi, Up and Around the Sun might have been seen as the solid recordings that they were.
Accelerate was somewhat of a return to form for the band, and included songs that looked back at R.E.M.’s heyeday, but Collapse into Now, a solid effort, fell flat and it was clear that R.E.M. had probably run out of gas — a sense that was reinforced by Mike Mill’s comments on the band’s Web site:
During our last tour, and while making Collapse Into Now and putting together this greatest hits retrospective, we started asking ourselves, ‘what next’? Working through our music and memories from over three decades was a hell of a journey. We realized that these songs seemed to draw a natural line under the last 31 years of our working together.
I feel lucky to have been a fan of the band throughout the career, to watch it grow and change and adapt. And I feel even luckier to have gotten to see them live three times at different points in their career. I wish the members well and hope their new projects are fulfilling for them and produce music that strikes a cord with the listener.
- Send me an e-mail.
- Read poetry at The Subterranean.
- Certainties and Uncertainties a chapbook by Hank Kalet, will be published in November by Finishing Line Press. It can be ordered here.
- Suburban Pastoral, a chapbook by Hank Kalet, available here.
Hank Kalet 